Event Organizer's Responsibility for Royalty Payments to Songwriters in Music Concerts
Keywords:
Event Organizer, Royalties, Songwriter, Music ConcertAbstract
Music concerts as a form of public performance often use copyrighted works in the form of songs produced by creators. Law Number 28 of 2014 concerning Copyright and Government Regulation Number 56 of 2021 have explicitly regulated the obligation of every party that uses songs or music for commercial purposes to pay royalties to creators, copyright holders, and neighboring rights owners. Event organizers are responsible for ensuring that every song used in a concert has obtained permission from the creator or rights holder through a royalty payment mechanism. However, in practice, many event organizers still ignore this obligation, resulting in violations of the economic rights of songwriters. This study uses a normative juridical method with a legislative and literature study approach, as well as secondary data for analysis. The results of the study show that although Law Number 28 of 2014, Government Regulation Number 56 of 2021, Decree of the Minister of Law and Human Rights of the Republic of Indonesia Number: HKI.2.OT.03.01.02 of 2016, and LMKN Decree Number: 20150512KM/LMKN -Pleno/Tarif Royalti/2016 clearly regulate the payment of royalties to songwriters, their implementation has not been maximally effective. Lack of legal awareness, production cost considerations, minimal supervision and law enforcement, the assumption that royalties are already included in artists' payments, and administrative processes that are considered difficult pose challenges to royalty payments. Therefore, it is necessary to strengthen law enforcement, increase awareness, and promote collaboration between the government, LMKN, and entertainment industry players so that royalty payments can run smoothly
References
Anggraini, P. (2025). LMKN Sebut 400 Lebih Event Gak Bayar Royalti Musik.. https://www.detik.com/pop/music/d-8038779/lmkn-sebut-400-lebih-event-gak-bayar-royalti-musik, diakses tanggal 24 Agustus 2025
Fitriani, E. (2025). Transformasi Paradigma Kebijakan Publik: Integrasi Prinsip Hukum Progresif Dalam Pembangunan Hukum Responsif Di Indonesia. Khatulistiwa: Jurnal Pendidikan Dan Sosial Humaniora, Vol. 5, No. 2.
Jaman, U. B. (2021). Urgensi Perlindungan Hukum Terhadap Hak Cipta Karya Digital. Jurnal Rechten: Riset Hukum Dan Hak Asasi Manusia, Vol. 3, No. 1.
Marchellia, S. N. (2023). Larangan Membawakan Lagu Tanpa Izin Berdasarkan Undang-Undang Hak Cipta. Journal Of Intellectual Property, Vol. 6, No. 1.
Marzuki, P. M. (2014). Penelitian Hukum (Edisi Revisi). Jakarta: Kencana Prenada Media Group.
Rogate, L. (2024). Hak Royalti Dalam Industri Musik: Analisis Perlindungan Hukum Terhadap Pencipta Lagu Terkait Cover Lagu. Jurnal Globalisasi Hukum, Vol. 1, No. 2.
Samatha, D. (2025). Analisis Tanggung jawab Penyelenggara Konser Terhadap Izin Penggunaan Lagu Dan Pembayaran Royalti Dalam Konser Musik Di Indonesia. Jurnal Tana Mana, Vol. 6, No. 1.
Setyaningrum, P. (2025). Apa Judul Lagu Yang Bikin Agnez Mo Harus Bayar Royalti Rp 1,5 Miliar Ke Ari Bias?. https://www.kompas.com/kalimantan-timur/read/2025/02/06/152750188/apa-judul-lagu-yang-bikin-agnez-mo-harus-bayar-royalti-rp-15?page=all, diakses tanggal 25 Agustus 2025
Situmeang, A. (2020). Perlindungan Hukum Terhadap Pencipta Atau Pemegang Hak Cipta Lagu Dalam Pembayaran Royalti. Journal Of Law And Policy Transformation, Vol. 5, No. 1.
Tionardus, M. (2025). Kuasa Hukum Ari Bias Jelaskan Alasan Agnes Mo Harus Bayar Royalti Rp 1,5 Miliar, Bukannya EO. https://www.kompas.com/hype/read/2025/02/04/182049766/kuasa-hukum-ari-bias-jelaskan-alasan-agnez-mo-harus-bayar-royalti-rp-15?page=all, diakses tanggal 25 Agustus 2025
Widyaningtyas, K. R. (2021). Tinjauan Hak Cipta Terhadap Kewajiban Pembayaran Royalti Pemutaran Lagu Dan/Atau Musik di Sektor Usaha Layanan Publik. Padjajaran Law Review, Vol. 9, No. 1.
Yanuar, Y. (2025). Kronologi Kasus Royalti Agnez Mo Vs Ari Bias sampai Menang Kasasi. https://www.tempo.co/hukum/kronologi-kasus-royalti, diakses tanggal 16 September 2025











