Tradition Adaptation: Creativity and Innovation in the Sasak Community's Kecimol Performance by the Merpati Nusantara Ensemble in Mataram

Authors

  • Galih Suryadmaja Universitas Bumigora https://orcid.org/0009-0000-8715-3349
  • I Wayan Kusuma Di Biagi Department of Performing Arts, Universitas Bumigora, Mataram
  • Rapi Renda Department of Performing Arts, Universitas Bumigora, Mataram
  • Muhammad Fazli Taib Saearani Faculty of Music and Performing Arts Universiti Pendidikan Sultan Idris, Malaysia
  • Nandi Arfian Halil Department of Performing Arts, Universitas Bumigora, Mataram
  • Dewi Puspita Ningsih Department of Sociology Education, Nahdlatul Ulama University of West Nusa Tenggara, Mataram

Keywords:

Kecimol, Sasak, Tradition Adaptation, Creativity, Innovation

Abstract

This study examines how tradition is adapted through creativity and innovation in the Sasak community’s Kecimol performance, with a focus on the Merpati Nusantara ensemble in Mataram. The research aims to identify how Kecimol, originally a traditional ensemble rooted in Cilokaq, has evolved into a performance that integrates modern instruments, cross-genre repertoires, portable stage designs, and the use of digital media. Using an ethnographic approach involving participatory observation, in-depth interviews, and documentation, the study highlights how the creativity of the artists and the active participation of the community as both audience and co-creators drive collective innovation. This innovation successfully preserves local identity while engaging with global trends. The adaptation demonstrates cultural resilience, sustaining the vitality of tradition amid modernization, despite intergenerational value tensions and negative stigmas. From a socio-economic perspective, Kecimol functions as an alternative income source, a social interaction platform, and a form of public entertainment. This research contributes theoretically by enriching studies on creativity and cultural adaptation, while providing practical insights for cultural preservation strategies, creative economy development, and community-based tourism. Overall, Kecimol exemplifies the Sasak community’s identity and the sustainability of traditional arts within the context of globalization.

References

ppadurai, A. (2005). Modernity at Large: Cultural Dimensions of Globalization. In University of Minnesota Press (7th ed., Vol. 11, Issue 1). http://scioteca.caf.com/bitstream/handle/123456789/1091/RED2017-Eng-8ene.pdf?sequence=12&isAllowed=y%0Ahttp://dx.doi.org/10.1016/j.regsciurbeco.2008.06.005%0Ahttps://www.researchgate.net/publication/305320484_SISTEM_PEMBETUNGAN_TERPUSAT_STRATEGI_MELESTARI

Bappenas. (2025). Ringkasan Rancangan Awal RPJMN 2025-2029. In Kementerian PPN. https://rpjmn.bappenas.go.id/dokumen

Creswell, J. W. (2018). Research design: Qualitative, quantitative, and mixed methods approaches (5th ed.). SAGE Publications.

Geertz, C. (1973). Evidence that olfactory bulbectomy does not influence testicular regression in golden hamsters on short photoperiod by altering pineal melatonin production. In Basic Books, Inc. Basic Books, Inc. https://doi.org/10.1007/BF00695328

Gunawan, I., Afdhal Zikri, Z. Z., & Sailendra Bedantara, G. (2023). “Grain Gamelan”: Adaptation of One More Grain Band’s Songs to Gamelan Pelog Slendro. Resital, 24(3), 288–305. https://doi.org/10.24821/resital.v24i3.11172

Haslan, M. M., & Dahlan, D. (2022). Dampak Merariq Terhadap Masyarakat Suku Sasak (Studi Pada Masyarakat Suku Sasak di Desa Rumak Kecamatan Kediri Kabupaten Lombok Barat). CIVICUS : Pendidikan-Penelitian-Pengabdian Pendidikan Pancasila Dan Kewarganegaraan, 10(1), 21. https://doi.org/10.31764/civicus.v10i1.9698

Hidayat, R., Mustamin, M., Mintasrihardi, M., & Nazwin, A. H. (2023). Kebijakan Pengaturan Musik Kecimol Dalam Budaya Sasak Nyongkolan Di Kecamatan Jonggat Tahun 2021 (Studi Kasus Di Desa Sukarara). Jurnal Ilmiah Tata Sejuta STIA Mataram, 9(1), 228–236. https://doi.org/10.32666/tatasejuta.v9i1.444

James C. Kaufman, ‎Robert J. S. (2010). The Cambridge Handbook of Creativity. In Cambdridge University Press (Kaufman, J, Vol. 11, Issue 1). http://scioteca.caf.com/bitstream/handle/123456789/1091/RED2017-Eng-8ene.pdf?sequence=12&isAllowed=y%0Ahttp://dx.doi.org/10.1016/j.regsciurbeco.2008.06.005%0Ahttps://www.researchgate.net/publication/305320484_SISTEM_PEMBETUNGAN_TERPUSAT_STRATEGI_MELESTARI

King-White, R. (2017). Ethnographic approaches. Routledge Handbook of Physical Cultural Studies, 484–494. https://doi.org/10.4324/9781315745664

Mahmud. (2011). Metode Penelitian Pendidikan. Pustaka Setia.

Maulana, M. (2016). Bentuk Dan Fungsi Pertunjukan Kesenian Gendang Beleq Di Desa Kopang Rembiga Kecamatan Kopang Kabupaten Lombok Tengah. Jurnal Seni Musik, 5(1), 1–13.

Mohajan, H. (2018). Qualitative Research Methodology in Social Sciences and Related Subjects. Journal of Economic Development, Environtment and People, 7(1), 1–29.

Multazam, M. (2019). Dampak pagelaran kecimol sebagai tradisi modern adat sasak begawe terhadap pendidikan akhlak remaja Desa Montong Ajan Kecamataan Praya Barat Daya. http://etheses.uinmataram.ac.id/985/

Natonis, R. J. I., Jazuli, M., Utomo, U., Widodo, & Narselina, P. M. (2025). Sasando as a Symbol of Cultural Identity of the Rote Island Community and the Challenges of Preserving. Resital, 26(1), 68–95. https://doi.org/10.24821/resital.v26i1.15071

Nelson, R., Purba, M., & Ginting, P. P. (2025). Music Transformation of Gondrang Sipitu-pitu in Simalungun Community. Resital, 26(1), 167–194. https://doi.org/10.24821/resital.v26i1.15410

News, A. (2024). Kecimol: Antara tradisi dan kontroversi di Lombok. Asli News. https://www.aslinews.id/wisata-budaya/98410447/kecimol-antara-tradisi-dan-kontroversi-di-lombok

Nurkanti, M., & Saputra, J. (2020). Pembelajaran Stem (Science Technology Engineering and Mathematics) Dalam Meningkatkan Kreativitas Calon Guru Pendidikan Matematika Di Era 4.0. Symmetry: Pasundan Journal of Research in Mathematics Learning and Education, 5(volume 5), 28–43. https://doi.org/10.23969/symmetry.v5i1.2410

Oranga, J., & Matere, A. (2023). Qualitative Research: Essence, Types and Advantages. OALib, 10(12), 1–9. https://doi.org/10.4236/oalib.1111001

Pemerintah Nusa Tenggara Barat. (2013). Peraturan Daerah Provinsi Nusa tenggara Barat No 7 tahun 2013 Tentang Rencana Induk Pembangunan Kepariwisataan Daearh Tahun 2013-2028. 36.

Rahim, A. (2021). Gendang Beleq Yang Adiluhung Dan Kecimol Yang Rendahan Dominasi, Resistensi dan Negosiasi Atas Adat. https://repository.uinmataram.ac.id/838/1/GENDANG BELEK.pdf

Ramdhani, A. H. (2020). Kontestasi Konsepsi Religius dan Ritualitas Islam Pribumi Versus Islam Salafi di Sasak Lombok. Journal of Social Science and Education, 1(2), 1–18. https://doi.org/10.15642/teosofi.2015.5.2.513-531

Rokhim, N. (2018). Inovasi Bentuk Pertunjukan Kesenian Rakyat Kuda Lumping Di Desa Gandu Ii, Kecamatan Tembarak, Kabupaten Temanggung.

Rosana, E. (2017). Dinamisasi Kebudayaan Dalam Realitas Sosial. Jurnal Studi Lintas Agama, 12(1), 22–25. http://ejournal.radenintan.ac.id/index.php/alAdyan/article/view/1442

Satyananda, I. M., Armini, I. G. A., & Putra, I. K. S. (2015). Kecimol Seni Kolaborasi Kajian Bentuk Fungsi Dan Nilai Di Lombok. In Penerbit Kepel Press. https://repositori.kemdikbud.go.id/28344/2/KECIMOL SENI KOLABORASI KAJIAN BENTUK FUNGSI DAN NILAI DI LOMBOK.pdf

Siddiq, M., & Salama, H. (2019). Etnografi Sebagai Teori dan Metode. Kordinat: Jurnal Komunikasi Antar Perguruan Tinggi Agama Islam, 18(1), 6.

Steger, M. B. (2017). Globalization: A Very Short Introduction (4th edn). In Globalization: A Very Short Introduction (4th edn). Oxford University Press. https://doi.org/10.1093/actrade/9780198779551.001.0001

Supriyanto, S. (2020). Inovasi Dan Pemberdayaan Masyarakat Melalui Kesenian Di Desa Kedu Kecamatan Kedu Kabupaten Temanggung. Abdi Seni, 10(2), 83–100. https://doi.org/10.33153/abdiseni.v10i2.3039

Suryadmaja, G. (2025). Semiotic Analysis of John Fiske : The Meaning of the Song " Senja Kala Itu " by Gading Suryadmaja. 5(03), 325–335. https://doi.org/10.58471/jms.v5i03

Suryadmaja, G., & Ningsih, D. P. (2024). Ngringkes: Garap’s adaptation on Jemblungan music. International Journal of Traditional Music Studies, 2, 700–710. https://www.researchgate.net/publication/395018692_Ngringkes_Garap’s_Adaptation_on_Jemblungan_Music

Tjaturrini, D. (2018). Calengsai : Kreativitas Dan Inovasi Pekerja Seni Dalam Mempertahankan Kesenian Tradisional. Jurnal Ilmiah Lingua Idea ISSN, 9(2), 2580–1066.

Wahyudiarto, D. (2020). Merawat Potensi Seni Budaya Melalui Inovasi Seni Tradisi Desa Purbosari, Kecamatan Ngadirejo Kabupaten Temanggung. Abdi Seni, 10(1), 13–21. https://doi.org/10.33153/abdiseni.v10i1.3032

Waruwu, M. (2024). Metode Penelitian dan Pengembangan (R&D): Konsep, Jenis, Tahapan dan Kelebihan. Jurnal Ilmiah Profesi Pendidikan, 9(2), 1224. https://doi.org/10.29303/jipp.v9i2.2141

Yudarta, I. G., & Pasek, I. N. (2015). Revitalisasi Musik Tradisional Prosesi Adat Sasak Sebagai Identitas Budaya Sasak. Segara Widya : Jurnal Penelitian Seni, 3. https://doi.org/10.31091/sw.v3i0.175

Yudarta, I. G., & Pasek, I. N. (2017a). Kecimol Music as Cultural Identification of Sasak Ethnic. 32(September), 314–318.

Yudarta, I. G., & Pasek, I. N. (2017b). Kecimol Music As Cultural Identification Of Sasak Ethnic. Mudra Jurnal Seni Budaya, 32(3), 314–318. https://doi.org/10.31091/mudra.v32i3.184

Downloads

Published

2025-12-18

How to Cite

Suryadmaja, G., Biagi, I. W. K. D., Renda, R., Saearani, M. F. T., Halil, N. A., & Ningsih, D. P. (2025). Tradition Adaptation: Creativity and Innovation in the Sasak Community’s Kecimol Performance by the Merpati Nusantara Ensemble in Mataram. Jurnal Ilmiah Multidisiplin Indonesia (JIM-ID), 4(12), 1093–1114. Retrieved from https://ejournal.seaninstitute.or.id/index.php/esaprom/article/view/7775